A never ending stream of artistic and cultural consciousness brought to you by T.S. Williams BKA T. Will.

  • Reviewed by T.S. Williams for insidemyweedbag.blog

    I love old movies and believe vintage films are some of the best, especially visually. I wanted to begin a series of recommendations. These recommendations delve into cinematic gems older than both your mother and mine. This nostalgic journey will let me explore a treasure trove of films across various genres and styles. It will highlight the unique charm and artistry of yesteryears. Some of these movies I love dearly. Others are hidden gems I’ve never heard of. Some I’ve seen in passing but don’t remember clearly. Today, I am thrilled to start this series. I will feature a standout favorite of mine. It’s a captivating femme fatale film from 1948 called Blonde Ice. It offers a perfect balance of tension, intrigue, and classic Hollywood glamour. This selection sets the stage for what I hope will be an engaging exploration of vintage cinema. Through each review, I aim to rediscover the brilliance and creativity that filmmakers poured into these masterpieces. I hope to reignite that spark in fellow movie aficionados.

    PRoduced by martin mooney productions, inc. for a film classics release

    Screenplay by Kenneth Gamet

    Starring robert paige and Leslie Brooks


    Cinematography: George Robinson
    Edited by W.L. Bagier & Jason H. Bernie
    Music by Irving Gertz
    Production Company: Martin Mooney Productions
    Release date: July 24, 1948 (United States)
    Running time: 74 minutes
    Country: United States
    Language: English

    Rating:

    Rating: 5 out of 5.

    Blonde Ice is a 1948 American crime noir, based on the 1938 novel Once Too Often by Elwyn Whitman Chambers. The story begins with Clair Cummings. She is a talented and ambitious columnist. Clair is on the verge of marrying Carl Henneman. Carl is a man of considerable wealth and influence. He resides in a stunning mansion that represents all the affluence she ever desired. This opulent setting serves as a backdrop for their seemingly perfect union. It is filled with lavish parties and high-society events. Clair dazzles attendees with her charm and intellect. Just after the ceremony, Clair unexpectedly encounters an old lover amid the glitz and glamour. This encounter ignites feelings she thought were long buried. This chance meeting stirs up memories of passion and longing, ultimately unraveling the facade of her perfect life. Despite her new marital status, Clair clearly tells her former flame that their connection is not over. She shows she is unwilling to sever ties with the past. This decision becomes more complicated with each passing moment. As they embark on their honeymoon, the emotional turmoil deepens. Clair clandestinely writes a heartfelt letter to her lover, Les Burns. She attempts to hide her true feelings from her husband. He unwittingly believes their relationship is intact. However, Carl soon discovers the letter. This leads to a confrontation that shatters the illusion of their perfect marriage. It brings to light the hidden fractures that had begun to form in their relationship. He decides to divorce her. He cites her betrayal as the catalyst for his decision. This discovery swiftly shifts the dynamic from love to betrayal. Faced with the harsh reality of her actions, Clair initially puts on a stoic front. She reveals only a casual indifference to the prospect of divorce. She believes she would easily receive half of his significant assets. Clair is convinced of her ability to maneuver through the legal minefield. Yet Carl counters her assumption. He explains that the letter would serve as undeniable proof of her infidelity. This evidence would leave her with nothing if the divorce proceeded. It strips away her illusions of control and security. With this revelation, the tension escalates dramatically. Clair finds herself caught in a whirlwind of emotions—love, regret, and the looming threat of losing everything. She fears losing everything she has come to value, including her social status and the life she envisioned. Thus she begins to plan. She weighs her options with a mix of desperation and determination. Clair contemplates the lengths she will go to protect her interests. The stakes rise higher than she ever imagined.

    Pilot B. Talon is willing to fly her to San Francisco and back. She then asks Les to buy her an airline ticket and meet her in the airport. Claire asks him to drive her to Carl’s mansions so she can get some clothes. Upon arrival, Les discovers Carl’s lifeless body in the easy car and a gun laying on the carpet. Les quickly calls the authorities, although Leslie his newly wed wife seems unfazed. From the beginning the police suspect Claire but she has a strong alibi; she was in Los Angeles at the time with her plane ticket and Les to confirm this. Of course Les and Claire rekindle their love affair. However Stanley Mason, the attorney running for Congress who is handing Carl’s estate becomes her new lover all the while. Back at the police station, Les became their primary suspect. Les is beginning to realize there were a lot of holes in the story surrounding Carl’s supposed suicide and confronts Claire stating,

    You’re not a normal woman. Youre not warm. You’re cold like ice. Yeah like ice-blonde, ice.

    Claire then throws out Les and pilot Talon arrives demanding $50,000 for his silence, taking her necklace as the first installment. The very next evening, at dinner the couple is joined by psychologist, Dr. Kippinger who comments on Claire’s manipulative nature. The police eventually close Carl’s murder case due to a lack of evidence but pilot Talon continues to demand money so Claire shoots him.

    When Stanley wins his election, he then announces that he will be marrying Claire. Les was at the celebration and hearing this decides to leave. Claire arrives at Les’ home telling her of her feelings for him and that she will always love him. Right in that moment Stanley walks in having heard everything, nothing she would be able to say to change his mind about the engagement now. Realizing this Claire stabs him, Les walks in right after with a knife making to easy to frame him as the killer. The police arrest Les but deep down feel that the true murderer is Claire. Dr. Kippinger confronts her at her office at the newspaper she works at and Claire calmly confesses to all the murders. She tries to shoot Kippinger but struggles with the gun fatally wounding herself. Coworkers look down at her body clinging to life then leave, Les leaving last stating that she wasn’t even that good of a reporter.

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  • By T.S. Williams for insidemyweedbag.blog

    What is personal style and how exactly is it developed?

    What is personal style?

    Before getting into how one would even begin to develop their personal style, let’s take a dive into what personal style is. Personal style would be described by most people as how someone dresses or puts their garments together, but in my opinion, it is deeper than that. It is the way you express your personhood to the world, a compilation of your interests, quirks, and lifestyle. It encapsulates not just how we present ourselves but also the messages we convey about who we are without saying a single word. How many times have you been out and seen someone dressed in a way that clearly indicates, at minimum, what they like and what they do for work or for fun? I’m sure it’s been plenty. A perfect example I can recall is when I was in the store, and the cashier told me I look like a teacher; now she didn’t know this at the time, but I had just gotten off my job working in education. It made me reflect on how our outfits can embody our daily lives, our choices, and sometimes even our aspirations. When looking at my outfit later, I realized that the inspiration for this essay hinges on the observation that our outfits and the way we dress say a lot more about us than where we get our clothes from. They can tell stories of our journeys, symbolize our values, and even serve as conversation starters, making personal style an essential aspect of our identity that deserves thoughtful cultivation.

    My personal style and its origins

    Now my personal style is a hodgepodge of my consistent favorites as well as my lifestyle along with sexuality. I am Gothic and have been since about college; however, I also grew up in Church in the South, so there is a modest element to my style, which reflects my upbringing. This juxtaposition creates a unique blend that I cherish, making me feel both rebellious and rooted. I am a lover of all things vintage, so I find my personal style lending itself to more vintage shapes and styles, often incorporating pieces from different eras that speak to my soul.

    My style, as described by friends, has been likened to if Betty Davis and Billie Holiday had a baby and let Kelis raise her—an intriguing fusion of glamour and grit. Think of it as a very 90s Kinderwhore Rockstar meets vintage jazz starlet, where each outfit tells a story of empowerment and creativity. As a queer woman of many years, my style is hyper-feminine but not in the traditional sense; it’s an embodiment of my identity and beliefs. This expression manifests in my choice of fabrics and colors, where black dominates but is playfully punctuated with deep jewel tones and bold prints that talk to the eclectic lineage of fashion I embrace.

    I wear lots of black, mostly opting for skirts as my favorite bottoms that flow elegantly as I move. These skirts come in various textures—sheer, lace, or velvet—that add depth to my outfits. My daily shoe choices reflect both comfort and style, leaning towards Mary Janes or flats that allow me to express my unique flair, while remaining practical for my day-to-day life. Additionally, I adorn myself exclusively with gold or bronze jewelry, as these warm tones complement my aesthetic beautifully, adding a touch of shine to my overall look while remaining true to my Gothic roots.

    When asked, I describe my style as ‘Southern Gothic’, a mix of my Southern Baptist upbringing and my Gothic art taste. To me, the southern small church aesthetic has always had a dark kind of Gothic vibe; the wooden pews and the natural lighting cast in by the stained glass windows create such an eerie, yet beautiful atmosphere. The host of religious regalia strikes me as a vivid contrast to my own beliefs, but I find it enriching in its complexity. It offers a glimpse into a world of forgotten charm, a place where tradition meets rebellion. This aesthetic serves as a backdrop to my identity, reflecting both the darkness I adore and the light of my upbringing, captured in the reverence of sacred spaces that still resonate with me today. Each element of my style is a thread woven into the larger tapestry of who I am, capturing the essence of my journey as a Southern Gothic woman in a vibrant and ever-evolving world.

    How to develop your personal style

    I’d honestly recommend starting small in building a more authentic personal sense of style for yourself. You don’t want this to feel like a chore nor like work clothes shopping with your mother (you know what I mean, first job vibes). First, think about who you are and how you like to be perceived; this is essential, as personal style is a reflection of your individuality. Take a moment to explore and consider the aspects of your personality that you want to express through your clothing. Also include your interests personally and fashion-wise, even if it’s just small things like polka dots or a color palette. Additionally, don’t shy away from experimenting with different textures and patterns that resonate with you; remember that personal style is an ongoing journey of discovery. By allowing yourself to play with various styles, you can gradually refine and develop a wardrobe that truly feels like it represents who you are.

    Start with going through your current wardrobe of clothes and take inventory of them. Go through and see what these clothes tell you about yourself, then ask yourself if that message is the one you want the general public receiving. If your answer is yes, you’re in luck; you already have a general sense of personal style that you need to develop and refine even further, exploring how to elevate your look with unique accessories or complementary pieces. If your answer is no, go through and decide what pieces don’t send the message you want, throw them out. Prior to throwing them out, however, take a moment to reflect on what you want to look like moving forward. Visualize your ideal style and the impression you wish to convey to the world. Once this decision has been made, go on Pinterest or Google Images and begin sourcing images that will help you identify what pieces you’d like to replace them with, creating a mood board that inspires you and encapsulates your desired aesthetic. This will serve as valuable guidance during your shopping trips. Now, before you run to Shein, please know this doesn’t have to be done in all one haul. Largely in my experience, these hauls result in a large amount of clothes you don’t even end up wearing as you bought them for the thrill and less for the style. Instead, consider taking your time and making small, intentional purchases; this approach allows you to thoughtfully assess how each new piece integrates into your existing wardrobe while ensuring it aligns with your ultimate style goals.

    Another major tip I would recommend is, BE REALISTIC. Not just in what you will actually wear but also about your body type, lifestyle, and job as well. Understanding your unique body shape is crucial; it helps you identify which styles accentuate your best features while offering comfort. I know we’ve always been told to dress for the job you want, but the same doesn’t apply for bodies; love the body you have and dress for it. Our bodies come in various shapes and sizes, and embracing them is essential for building confidence.

    Now, that’s not to say don’t wear what you want, but a lot of people don’t know how to dress for their body because they are not objective about what it even looks like. This lack of objectivity often leads to frustration when trying on clothes that simply don’t fit or flatter. Taking the time to experiment with different cuts, colors, and fabrics can lead to discovering the styles that truly resonate with you.

    Consider creating a little fashion experiment for yourself. Dedicate some time to try on various outfits in different settings. Look for pieces that you might typically overlook; sometimes, the most unexpected items can surprise you with how well they fit and enhance your silhouette. Visiting stores with a variety of styles—especially those that cater to diverse body types—can also provide insight into what works for you.

    Additionally, consider seeking advice from friends or professional stylists who can provide an outside perspective on what looks good while still feeling true to yourself. A fresh pair of eyes can often help identify styles that you may not have considered but that enhance your natural beauty. Don’t hesitate to ask questions and take notes on what works and what doesn’t; it’s all part of the journey to finding your personal style.

    Lastly, remember that fashion is not static; it evolves as you do. Your preferences may change as you gain confidence in your body and discover what makes you feel good. Celebrate that evolution and give yourself permission to explore new looks that may resonate with your evolving sense of self. Embracing this aspect of fashion transforms it into not just a way to dress, but a means of self-expression and a celebration of who you are.

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